New Generation Publishing’s annual Self-Publishing Summit in London, and in the article “Self-Publishing Reaches the Summit“, he features several themes of the new trends in self-publishing, which include “starting to self-regulate” and “emphasising on quality”.
talks about his experience of participating in the 2014
Going beyond the dichotomous argument of “traditional publishing vs. self-publishing”, the 2014 conference shifted its focus to seeking possible routes to a successful writing career. Writers seemed to start reflecting on their self-publishing experiences (and each other’s sharing) with a critical eye, “acknowledging the huge potential challenges” and hopefully preparing themselves for the tough road ahead. When commenting on the quality of self-published books, Chalmers states,
It is ultimately that and nothing else that will provide self-published writers with long and successful careers.
Finally, authors at the conference generally expressed their concerns (and possibly anxiety) about marketing, to whom Chalmers suggested that they should not be too “hung up on social media” but should turn to physical copies and try to sell them through local bookshops instead. Sensing an increased degree of self-regulation and professionalism, Chalmers will not be the only one who feels positive about the future of self-publishing in the industry.
Image Credit: She Writes Press
The Write Life publishes an infographic to help authors decide whether they should pursue self-publishing or follow the path of traditional publishing.
In a discussion of this infographic, Mutterings of a Fantasy Writer refers to July 2014 Author Earnings Report which reports some statistics about “emerging trends in the world of digital publishing”
One thing that I’ve wanted to point out is that I think there is a general misconception with traditional and self publishers about “getting the book out there.” There is no “out there.” There is only “who is for” and “how is the author cultivating and adding value for readers.” People read and share information based on trust in relationships, and we should bear that in mind when we write/publish a book.
Image Credit: The Write Life
Maggie Brown reports in her article The Fifty Shades effect: women dominate self-publishing on the Guardian that “middle-aged and well-educated women […] dominate the growing e-publishing market”. However, the article does not really give any satisfactory explanation to the finding, but rather goes on discussing self-publishing and how it causes change in the publishing industry. My personal postulation comes from Alison Baverstock’s comment that lots of self-publishers have been very collaborative and share information with each other; sociology and linguistics studies have revealed that prototypically, women are considered stronger at building interpersonal relationships and attending emotional connection, while men are considered more keen on establishing hierarchy and seeking power. Although these claims can be quite overgeneralised and may not apply to every aspect of human behaviour, they might still offers a perspective into examining why women, presumably to be stronger at collaborating, outperform men in self-publishing.
My favourite quote in this article comes from Michael Tamblyn’s “how people engage with books has been an undiscovered country”. If publishers cannot get timely feedback about (the change of) readers’ interests through marketing research, most publishing endeavours are likely to end in vain.
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In the article Why You Need to Become an Independent Publisher, Geoff Livingston advocates writers to consider self-publishing; he also shares the valuable things that he has learned in the process. Livingston states that the trend of independent publishing is mainly due to “retaining artistic direction, a higher percentage of profits, and the increasing lack of editorial and marketing support offered by traditional publishing houses”. He offers suggestions on producing an outstanding manuscript and marketing the book after it has been published.
Meanwhile, Joe Belanger discusses the potential disadvantages of self-publishing in his article Self-publishing risks and rewards explored. He points out that independent publishing not only means that authors must be involved in the “creative aspect” of production, but they must also make “a series of business decisions”, which possibly takes up the time that could be spent writing and even leads to unwise decision making without seeking professional guide, which could make authors suffer financially. Self-publishing seems to become more and more popular these days and has certainly presents a challenge to the traditional publishing industry, but as an author, you do need to think twice before taking this path.
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